![]() ![]() Adler was wary of this approach and felt it limited actors to their small realms of experience. ![]() Strasberg leaned heavily on Stanislavski’s idea of emotional recall, or the use of an actor’s personal memories to generate emotion onstage. However, the group’s members did not always see eye to eye. These innovators recruited a permanent ensemble of actors to create realistic, socially conscious theatre. ![]() When Harold Clurman, Cheryl Crawford, and Lee Strasberg founded the Group Theatre in New York in 1931, they invited Adler to join. Stanislavski’s system greatly influenced Adler and other prominent theatre-makers of the time. In the U.S., he also was inspiring a new, realistic style of acting to replace what had previously been broader and more melodramatic in tone. Stanislavski had transformed Russian theatre. There, she encountered Stanislavski’s system for acting, which encouraged actors to focus on their characters’ inner lives rather than outer expressions. In 1925, Adler studied at the American Laboratory Theatre with two former members of Stanislavski’s Moscow Art Theatre. By age 4, she was appearing onstage with her parents, and her talent soon launched a career that took her from vaudeville to London to Broadway. Stella Adler was born in 1901 in New York City to a family of Yiddish actors. Stella Adler in the 1941 film Shadow of the Thin Man.
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